Style
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Christie’s to Sell Paul G. Allen’s $1 Billion Art Collection
In the art world’s latest eye-popping development, Christie’s auction house announced on Thursday that it would sell the impressive art…
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‘Funny Pages’ Review: Ordinary Life, Complex Stuff
The young director Owen Kline packs worlds of cringe into “Funny Pages” — shame, disgust, embarrassment, sweaty sexual panic, acres…
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‘House of the Dragon’: Who Is Otto Hightower, and Why Does He Matter?
It’s tempting to read the new characters in HBO’s “House of the Dragon” through a “Game of Thrones” lens, to…
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Bright Lights, Big City, Niche Fame
At Lucien, the always crowded art-world-adjacent French restaurant in the East Village, there is a long table right next to…
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‘The Good Boss’ Review: Company Man
Julio Blanco (Javier Bardem), the boss of “The Good Boss,” is introduced giving a pep talk to his factory employees,…
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Judge John Hodgman on Taking the Chargers
Alissa writes: Please order my husband to keep his hands off our chargers! He frequently leaves his charger somewhere and…
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Winold Reiss, an Immigrant Modernist Way Ahead of His Time
In 1925, a German immigrant named Winold Reiss was invited to design and illustrate an issue of the journal Survey…
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Cecilia Vicuña’s Desire Lines
Listen to This Article Audio Recording by AudmTo hear more audio stories from publications like The New York Times, download…
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At Salzburg Festival, Directing Slow and Fast
SALZBURG, Austria — The German director Thorsten Lensing has astonished and provoked for the past three decades, but he feels…
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‘Alienoid’ Review: Sorcerers, Alien Prisoners and Much, Much More
This Korean film starts in the 14th century with an alien creature trying to escape from the human body inside…